Yeah, mates. I'm still quiet. But I am in the lab. I've made a couple songs already, but I'll only post em in a couple days
My voice is in prison
My brain is the executioner
My heart is non facere
Wall that surrounds the soul-albatross.
Take a wild guess
Silly fella
Scholar of the first sin
Under the bridge
Joined on 9/5/23
Posted by Meuny - March 2nd, 2024
i'm gonna try and spend the next couple days without posting a single piece of work.
i'll be just chilling, commenting on stuff, writing blogs talking about bullshit, reading and enganging in social relations (as any healthy human being should!)
anyways, this has been meuny
Posted by Meuny - March 1st, 2024
i'll stop posting music for a while just so i'll build up some hype on my stuff idk
it feels as if i'm flooding this site with my music.
maybe it's time for me to start spacing out the publication time of the work I do.
I think I'll publish my songs in LP form from time to time, I don't know.
Posted by Meuny - February 27th, 2024
Hi, I'm Meuny, and I'm finally available for services.
Anyway, after so long on this site, I've decided it's high time I started working on serious projects.
If you need my services, I've already set up commissions and there's a detailed list of how you can contact me. I'm a musician, sound designer, etc. Whatever you need, I can do it for you.
Posted by Meuny - February 27th, 2024
The use of the minor scale in music should almost always be accompanied by the chromatic scale since this allows me to switch between different modes, for example: In the E minor scale it is possible to use a variation that makes use of an "in-between" of the scale with the major 7th and the scale with the minor 7th, this mixture of sevenths allows me, when it suits the music, to change its pitch to B major or minor, to D (with a major seventh), etc.
The movement of notes is a chromatic descent from the note that sets the tone to the diminished 6th. As an example, let's take the E minor scale, the movement of notes takes place through E minor, B/D#, D major and, finally, C sharp diminished. This movement allows for the use of different conclusions, but mainly, to my taste, the following resolutions are the ones I use the most: Resolution in B minor, D with a major seventh and, again, E minor (which is usually continued with the same movement of chords, as if it were a "chorus").
Ps: This a rough translation of one note i wrote in a diary about chord progressions i use. I thought that it'd be neat if I shared it with more plp