The use of the minor scale in music should almost always be accompanied by the chromatic scale since this allows me to switch between different modes, for example: In the E minor scale it is possible to use a variation that makes use of an "in-between" of the scale with the major 7th and the scale with the minor 7th, this mixture of sevenths allows me, when it suits the music, to change its pitch to B major or minor, to D (with a major seventh), etc.

The movement of notes is a chromatic descent from the note that sets the tone to the diminished 6th. As an example, let's take the E minor scale, the movement of notes takes place through E minor, B/D#, D major and, finally, C sharp diminished. This movement allows for the use of different conclusions, but mainly, to my taste, the following resolutions are the ones I use the most: Resolution in B minor, D with a major seventh and, again, E minor (which is usually continued with the same movement of chords, as if it were a "chorus").

Ps: This a rough translation of one note i wrote in a diary about chord progressions i use. I thought that it'd be neat if I shared it with more plp